Scene 1 - Main Titles         The movie starts off from the perspective of a theatre, setoff in pitch black, with a modus operandi of chatter, which would be the said(prenominal) as if you went into a real theatre, the sound of everyone calming garbage down and choketing themselves comfortable, then as the lights come on the start in orchestra starts.         The conductor I feel is added for a bit of comedy, to contrast with the beginning sadness of the merrimentdament.         The twentieth century hold logo, which everyone is wedded to seeing, is noticed again as Bazz Luhrmann has given the introduction and source credits an olden day feel, simulating the scratching you get on the old films.         After the 20th century fox logo, when the movies developed opening credits begin, the music chosen is common chord unalike songs, which are The sound of music, ???? and The CanCan to give a (cant withdraw of t he word, it means example of the songs shown) of a few of the songs utilise in the movie.         The fast tempo acceleration of The CanCan music with the project of a can can dancer in the backdrop gives the physical body a exciting element, which cuts sharply to the dull old fashioned footage of the title Paris 1900 to give the earshot a refrence point. Scene 2 - There Was A Boy...
        The camera zooms in onto the screen, cropping the theatre stage and the conductor, implying that its grave stuff now, and not fun and games.         The scene first shown is of C hristians apartment, with the Lamour brand ! shown prominently, revealing to the French-speaking reference that the movie is about love, on the left of the apartment is Toulouse-Lautrec (John Lequizamo) vocalizing Nature boy (written by Eden Ahbez), when he starts render about a very fantastical and enchanted boy... If you want to get a full essay, ordination it on our website:
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